moth-wing valour
This is my [odd] response to Dr Hillman's hero challenge. Thank goodness I thought of something strange because I had been worried for a second.
Comment?, my two readers. I know who you are!
In the pale gathering of window-glass, spindly light-webs of here and there
form themselves between the hall’s three shadows:
a weary sea-chest, haggard amber lamp and tall thin
mannequin.
She, the shawled and locketed grey
Madam
Passes alone through the doorway,
her spry young dressmaker hands touched with
rain,
and so made to wear a spidery countenance.
Her white winter fingers alight, and clasp
a leaf, a trace, time’s hidden paper, on the sea-chest.
The eye-lit She begins a rickety examination;
She sits her on the sea-chest, under the amber lamp.
The mute and waifish mannequin holds watch.
Ask the ink scrawled on the page. Tell the dusky riddling light.
A candle on the sea-chest burns now – the paper filled with faded ink
burns.
The sparking cadence flickers, starving –
An ancient autumn leaf ends early in spring,
and her wise old dressmaker’s hands conceal in ash
the all-held walloping of stains and splotches.
That old clumsy clamorous catch now fades.
No young hands, prying, curious and blithe, can now catalogue
the sanctity of paper on a sea-chest
under the amber light –
Forging a concealment, the dame resuscitates
knowledge
with its own ignorance, and keeps
Sacred something lost. Ah –
Those mannequins
will never read
any of the webby scroll, the tangled try
The future – mythical Posterity – will never know
the thing, the element, someone will have wanted
to forget
When the grey and white spindly
Madam
sets a straw-fire to that seceding Past,
and saves an offering for the spry scatter-Light.
Comment?, my two readers. I know who you are!
In the pale gathering of window-glass, spindly light-webs of here and there
form themselves between the hall’s three shadows:
a weary sea-chest, haggard amber lamp and tall thin
mannequin.
She, the shawled and locketed grey
Madam
Passes alone through the doorway,
her spry young dressmaker hands touched with
rain,
and so made to wear a spidery countenance.
Her white winter fingers alight, and clasp
a leaf, a trace, time’s hidden paper, on the sea-chest.
The eye-lit She begins a rickety examination;
She sits her on the sea-chest, under the amber lamp.
The mute and waifish mannequin holds watch.
Ask the ink scrawled on the page. Tell the dusky riddling light.
A candle on the sea-chest burns now – the paper filled with faded ink
burns.
The sparking cadence flickers, starving –
An ancient autumn leaf ends early in spring,
and her wise old dressmaker’s hands conceal in ash
the all-held walloping of stains and splotches.
That old clumsy clamorous catch now fades.
No young hands, prying, curious and blithe, can now catalogue
the sanctity of paper on a sea-chest
under the amber light –
Forging a concealment, the dame resuscitates
knowledge
with its own ignorance, and keeps
Sacred something lost. Ah –
Those mannequins
will never read
any of the webby scroll, the tangled try
The future – mythical Posterity – will never know
the thing, the element, someone will have wanted
to forget
When the grey and white spindly
Madam
sets a straw-fire to that seceding Past,
and saves an offering for the spry scatter-Light.
2 Comments:
It cast a very serene feeling. But I feel as though it was lost to my memory once I was done reading it. >_< I'm confused. haha
Mogg - hehe yes I know the hero part is a tiny bit OBSCURE. It does have much to do with keeping sacred something lost, &c.
Fiend - ummm confusion? We vile ones specialize in the confusion of minds. :P
Post a Comment
<< Home